Showing posts with label gigs. Show all posts
Showing posts with label gigs. Show all posts

Sunday, 7 April 2013

Long Live The King!

For my Birthday this year, the fella got me tickets to see one of my favourite artists of all time: King Charles. If you don't know who he is or if you haven't heard any of his music, I urge you to Google him or YouTube him because he just produces the most brilliant, upbeat, love songs ever! He was my soundtrack last summer when me and my friends went on holiday to France, and I'm sure it'll be much the same this year. If you're wondering which song to start with, I highly recommend Lady Percy, although they're all damn good. He's basically a more upbeat Mumford and Sons (and indeed he duets with them on one of his songs, 'Brightest Lights').

So, a couple of days ago we went to the gig and WOW. The first support act (as with many first support acts) wasn't really that great, so I won't go into that, but from the second act onwards I literally didn't stop dancing! 

We Were Evergreen are possibly the cutest band in the world. They play adorable French pop music (they sing in English) and they are just amazing. I saw them live once before when they supported Charlie Simpson on his tour, and they blew me that time, as well as this. My favourite song of there is Vintage Car, and I'm just waiting for them to release a full album so I can buy it and support their music! They got dancing around and made everyone very happy.

Then the King came on. With his huge hair and swagger he was just INCREDIBLE. As I said I didn't stop dancing, and I wore my already knackered throat out singing along to every song I knew. His new material was also pretty good and very catchy (I usually am not too fond of artists playing new music at gigs because you don't get the same atmosphere - which at the end of the day is what I go to a gig for. You can always stick the album on or even head to YouTube if you're desperate to hear a 'raw' performance, but you don't get the buzz of the unity of people loving a song that you do at a gig).

At the end of the gig, I went to buy a sweet poster, and when I tried to leave the door was blocked with a mob of people as King Charles had just wandered over to say hi! Not many artists will do that, even at the smaller gig venue that I was at. I was very impressed.

Not only this, but he played a 15 minute long encore, including his version of Billy Joel's 'We Didn't Start The Fire'' which he has updated for 2012/13. It's amazing, and I highly recommend it!

I had a great night, an amazing Birthday present!

Have you seen any gigs recently? Let me know the best gig you've been at!

Best Wishes!

xx

Monday, 4 February 2013

On Meeting Idols (OMGJohnGreenAHHH)

Hullo all,

Sorry I've been a bit rubbish about posting (I would say 'recently' but consider I started this in September (I think?) it technically still is a 'recent' thing so I'm basically saying 'sorry for being rubbish about posting'. So, sorry.) Turns out that this university lark is a lot more work than they say it is... so much for going out and getting trashed/wasted every night!

I have so much to catch you up on, stuff that is actually quite important considering I started this blog to map how I cope being a fresher whilst still living at home (the main thing being I actually have a house for next year now!), but today is not the day when you get to learn about that. Sorry.

Today is the day, however, that I get to eeep and squeal and bounce up and down clapping my hands about the fact that yesterday I met my idol.

We (when I put 'we' here it will mean myself, my sister and (for a majority of the time) two (or sometimes three) of her friends (an occasionally a couple of northerners)) woke up at the bright an breezy hour of 5 am in order to leave our house at 6am in order to get on a bus to London at 6.45am. So that was fun. The bus journey, as most travel experiences are at the hour of the morning, was a couple of hours of mixed excitement, exhaustion, worry and planning. I felt sorry for the other passengers on the bus, who clearly were not as stoked as us, but not sorry enough to turn down the dial on my glowing mood.

We arrived in London 25 minutes ahead of schedule, which was nice and relaxing. However, it also meant we had to spend an extra 25 minutes in the bitter London wind, which wasn't fun. I don't know if a lot of non-Londoners know this - I didn't until we went to London for Les Mis in January - but London doesn't really start until 10am on a regular day. I had assumed it would start up between 8 and 9 like all the other cities in this country, but nope. 10am. Can anybody explain why?? Anyway, so as London starts at 10am on a regular day, we didn't realise that shops wouldn't open till 12am on a Sunday... Our gig/show started at 12am. This meant that there was literally NOTHING TO DO other than wander round in the bitter weather or sit huddled in a cafe. We chose the latter. I'm ashamed to say we huddled in a chain shop rather than a nice local cafe. This was partly because the chain shop was actually open, and partly because we were in Chelsea (specifically Kensington) which is notorious for being a bit expensive (for further reference/to be blown away by appalling acting/to be dumbstruck by wealth and/or beauty/for mind numbing effects: watch Made In Chelsea). At about 11 we decided to seek out the venue, which took us all of ten minutes and if we had any doubts about whether or not it was the right place, the queue quickly settled those. We joined it, got interviewed by a guy with a camera, and entered the venue.

Cadogan Hall is beautiful. Everything looks so clean and so old and its just gorgeous. We walked in and received a signed (and Hanklerfished) copy of  John Green's The Fault In Our Stars, then queued again (because no Brit can resist a good queue) and I bought a poster. Everyone at the venue was lovely. I've never been in an environment when everyone is so excited and happy and wants to meet you and make friends. A group of girls came up to us and offered us home-made and TFioS iced buns!

Then it was time for the show. John came on and said some things about writing TFioS and about writing in general and gave advice and read a bit and was generally beautiful. Here's some of what I remember he said.

He spoke about how long it had taken him to write TFioS, and I don't just mean the many drafts that became TFioS I mean the entire writing process, from wanting to write a book that featured children who were suffering and from wanting to tell the story of them and their family. This began in 2000, when he was working as a chaplain in a children's hospice. The early drafts of TFioS featured a guy who was sort of like John, but (as he said) 'Adverb. Handsome'. Following this he said (for me) his most important piece of writing advice: none of those drafts worked because they were self indulgent. Not only was he writing about himself, but he was also writing for himself. It was only when he began to write for other people, so that other people would enjoy his work, that he became a writer. Writing doesn't work when you write for yourself, or if you write to be popular or if you write to sell. As John said, he never expected TFioS to sell - so clearly he shouldn't be trusted with things like that.

Amongst all this profundity and life advice - do things for other people not just for yourself - he also said a lot of funny things. There is a line in the first few pages of TFioS where it says that everything is a side effect of dying, including cancer. Which I know doesn't sound all that funny, but it was his defence of this line (which many people disagree with) that was funny. He said that cancer is form from the death of cells, which then have to reform, as cells that don't go through this process don't get cancer. We know this because Zombies don't get cancer. John Green, everybody.

He also spoke a lot about a certain nerdfighter called Esther Earl. You can find her in the links at the bottom of this page (you can also find where to donate to This Star Won't Go Out - the charity founded in her memory). He, through Esther, was taught that however short life is it deserves to be lived. This comes across in TFioS. It is also very poignant that the story is set from the point of view of a sick person, and about their life. All too often, stories are about helathy people. They seem to suggest that the sick person is put on the planet to help them learn something. But of course one person is not alive to help another. They are there for themselves too, and if they help you along the way then that's a bonus.

After all of this, Hank came on and played some songs, they both answered questions put to them by special guest Maureen Johnson, Hank got slapped, he played some more songs and they closed with the Proclaimers 500 miles. We waited two hours in a signing queue, got our stuff signed, had a brief chat and left, very happy people.

I'm not going to go into detail about what I said to John or what I said to Hank or what they said to me, because it wasn't that groundbreaking and it's special to me. I left them both letters, which said everything I knew I wouldn't be able to say (because of time and general flusteryness). I also left a letter for Rosianna (Halse Rojas, missxrojas on the tubes) because I knew she was going to the show later, but then I saw her down stairs, said hi and thank you a lot. We left, went to another chain shop, got food, got a bus, slept a lot, got home.

It was one of those days I won't ever forget. I met the man who inspired me to read differently, to write with purpose, to be the best person I can be. And I met his equally amazing brother. And I met the beautiful Rosianna.
I think a lot of people freak out when they meet their idols. I didn't meet my idol that day, I met a man. A brilliant man, but a man none the less. He was tired, his arm was probably about to fall off and when it was over, he had to do it all again two hours later. He wasn't this amazing being, but he was human. And that was what made the day so special. I got to meet the human who did so much for me. I got to say thank you to him. I got to give him my letter. I got to tell him,

Best Wishes
xx
Esther:
www.youtube.com/user/cookie4monster4
http://tswgo.org/esthers-story.html

John and Hank:
www.youtube.com/vlogbrothers
www.fishingboatproceeds.tumblr.com
www.edwardspoonhands.tumblr.com

Rosianna
www.youtube.com/missxrojas
www.hermionejg.tumblr.com

Wednesday, 21 November 2012

Profundity at Music Gigs

Last night I went to see the incredible Frank Turner. If you don’t know who he is, then give a couple of his songs a listen straight away! It was one of the best gigs I’ve ever been to in my life, for several reasons.

Firstly, Frank himself. All his songs are very emotive – they’re more than just wishy-washy love songs. They are intended to be heard, to be consumed and to be sung along to. They are war cries and drinking songs. A lot of his music is politically motivated (I did my A level English Language coursework on his lyrics) and that, combined with his performance creates a very strong sense of collective identity. Nearing the end of his gig (or even during the encore) Frank made a small speech on this point. I didn’t record this and I didn’t write it down, but it has stuck with me. He was thanking us for being there to support him and he made the point about how beautiful a music gig is. He basically said “You come here and you leave everything else at the door. You put aside your differences, of class, of religious beliefs, of political beliefs and you come together as a collective. As one.  As a community of people who just want to listen to some music, to dance, to clap to sing and have a fucking good time. And I thank you for that” (note: this has been paraphrased slightly but this was the gist of it). That really struck a chord with me, how a couple of thousand strangers could all come together, united by one thing. And there wasn’t any hatred that night. There wasn’t any fear. It was just about sharing a beautiful experience with friends. Music gigs really are beautiful.
Secondly, the support. The first support band were ok, as far as supports go they were even pretty good. Not sure I’d pay to see them, but I wouldn’t switch stations on the radio and I might even check them out on line (Jim Lockey and the Solemn Sun – although I didn’t remember that from the night, I just looked them up through Frank’s website). The second support act was INCREDIBLE however – although not for the reasons you might expect.

He played traditional, old American-Woody-Guthrie-style acoustic music – and anyone who’s heard Woody will know that’s not exactly pretty or dancey. What it is, though, is powerful. It’s strong and emotive and it tells a story. Tim Barry was probably one of the most sincerely humble support acts I’ve ever seen. He didn’t just say “thanks to Frank for having me” but he told us how much he admired and respected Frank, how much of an amazing performer he thought it was. He said how he was honoured to support him and was honoured to be playing for us and that we’re standing around listening to his stuff. And that in itself was deeply touching. He also said one of the most profound things I’ve ever heard at a music gig (and I wrote this down on the back of my hand when he said it):

“I’m not afraid of dying; I’m afraid of not living”

I thought that was a beautiful sentiment. It summed up perfectly the message of the tour – it was called the “Last Minutes and Lost Evenings” tour which is taken from a line of Frank’s song “I Knew Prufrock Before He Got Famous” which ends with:

“Life is about love, last minutes and lost evenings, about fire in our belly’s and about furtive little feelings, and the aching amplitudes that set our needles all a-flickering and help us to remember that the only things that’s left to do is live. After all of the loving and the loosing, for the heroes and the pioneers’ the only thing that’s left to do is get another round in at the bar!”

And isn’t that a perfect little sentiment.

Anyway, all of that got me thinking how ridiculous it is to spend your whole life worrying. It reminded me a lot of the view that is expressed by Margo Roth Spiegelman, a character in John Green’s novel “Paper Towns”. She see’s how vapid the world is, she see’s its faults, how “life has become the future”, and how wrong that is. Now I don’t 100% agree with her view – I think you’ve got to think about the future a little bit. But I do mostly agree with Tim Barry.
It’s ok to be afraid of dying, so long as you’re not afraid of living.

TTNF xx


Links: http://frank-turner.com/  - Frank Turner
http://www.youtube.com/watch?v=c21SfaAwBw0  - I Knew Prufrock Before He Got Famous

Currently Reading: The Old Curiosity Shop by Charles Dickens
Shades of Grey by Jasper Fforde
The Art Of Writing Fiction by Andrew Cowan